Meet the Creators & Makers


February 2023

Meet Mirjam Gielen...

When Mirjam shared on IG  “stitching can be a mini-training in resilience….,” I couldn’t wait to ask if she’d share more of her thoughts with me, and thereby with You. She is such a Gift!  Mirjam Gielen is an organic textile artist and teacher and can be found on IG @MirjamTextiles, ETSY, & Patreon

Mirjam previously published an e-book titled “Basic Stitches (for Organic Embroidery)” and she is currently accepting Patreon followers & donations to support her sharing of small relaxing projects. 


Thank you for your time Mirjam, I am touched by your support and creative spirit!

Q&A:

  • You said “stitching can be a mini-training in resilience.” What is resilience?

    Resilience is the ability to adapt to circumstances, deal, and stay true to yourself. Wanting to create something is an evolutionary need. Shifting the focus from results to the process of movement is a training in resilience. 


    You can use creativity for dealing with what happens, to promote a sense of self, to find something that you can be happy with, and proud of yourself for it. 

  • What is creativity for you?

    Creativity is just that little bit of moving, it’s helping the stress hormones do what they are for, to take action. It’s a gentle way of having a bit of action, it can be calming and helpful. 


    Creativity is mini-stress, small problems to solve in the moment, it’s doable. Doing something repetitive – occupies part of the brain and also helps the other part of the brain digest.


    I learned creativity from my mother and grandmother. Everything they made had to be useful, it was women’s work. If it was beautiful, it was a bonus. They created out of necessity during the war, not for pleasure. If I did something beautiful they would be pleased that I did it, but they would never express being proud.

  • How do you define stress?

    I think stress is a bit of a reaction to the problems in the world, the problems you can’t do anything about, and we get stuck in emotions. 


    There’s a lot of input but not a lot of output in the world – social media, the news, …. Too much input, backlogged in your mind, can make you depressed, it’s problematic and overwhelming if all you do is take things in. 


    Doing something with your hands is output, that helps with your resilience, instead of being stuck in a huge mess of a backlog. I’ve been depressed myself, it’s when life comes to a halt, with those emotions you don’t move that much. 


    I dealt with depression when my mother died, when my children left the house, menopause. Stitching pulled me through, kept me moving, even in a small way. 

  • You mentioned trauma...

    I wrote a book about stories from my youth, published in Dutch, name translates to “Ground Fire” (referring to family trauma through generations as an underground bog fire that remains lit, smoldering, and comes up to the surface). 


    My mother suffered from WW2. Traumas were important in my family. Mom talked about it daily, she couldn’t stop talking about it, to keep the panic away, she was very fearful. Creativity also helped her to calm down, to get through it. 


    After mother’s death I did EMDR therapy to deal with some of the issues related to us, as well as EFT, and it cleaned up several things. EMDR keeps part of your brain occupied while the other part focuses on processing. It gives your brain some space to deal with the backlog of stimuli. I see creativity as a modest way of doing something similar, to come up with creative solutions. I recommend EMDR to everybody.


    I wish my mother had the chance to do EMDR, to stop turning that circle of trauma in the family that kept expounding. Her words and stories were blankets for the fire underneath but she didn’t talk about her own feelings. 


    To deal with a bog fire, the only thing you can do is dig it up. I can’t imagine life without creativity for happiness and also mental health. It doesn’t have to be the same for everyone. Its essential for life, to move. 


  • What was childhood like?

    When I was young, I was told never tie a knot in a thread, that’s not nice, no knots! I was taught to make and weave a tail and hide the thread. UNTIL I learned from Sue Stone (a UK textile artist). 


    I recognized that I still had this idea, a voice in my head, that I was a sloppy stitcher, that I didn’t do what my grandma told me to do. 


    THEN I was allowed to tie a knot. I noticed that I had lots of little rules in my head and opinions about myself. This aha was freeing for my creative process and myself too. 

  • How do you get into flow?

    Before I start a project I look at images, not to replicate, but to get inspired by the shapes, patterns, colors. Feeling the fabric, playing with it in my hands. Use a few moments, to look at colors, feel the fabric, be with what I’m doing. 


    I start stitching intuitively, I see where it goes. It doesn’t always go in the right direction. If I notice I’m pushing too much, if something didn’t click, that doesn’t work. It’s also important that you’re ok with it. I can learn from doing it wrong. Not everything I make needs to be wonderful, inspired, finished. 


    I get in the flow by moving, and each piece that I make is a part of that big process. Just do, and the flow will eventually come. If you’re feeling restless energy, that’s ok. It’s the energy you have in that moment. If something’s not working, that’s energy that you’re experiencing. 


    Creativity can teach you about yourself. In a gentle way, you come to know these things about yourself. I admit, not every day is brilliant. I might need to get out for a walk or something else. 

  • What comes to mind when you hear “procrastination and perfectionism?”

    The inner critic that’s constantly commenting on what you do. It’s frantically trying to keep you safe. It’s like an overzealous friend, overreacting but trying to keep me safe. Once I realized that, it wasn’t my enemy anymore. I could also appreciate it and could talk to it and tell it “don’t worry.” 


    [On the other hand,] Self confidence is the ability to be happy and proud of what you do and make, to really enjoy it. Having confidence enough to share really makes me happy. Go with the flow, see where it gets you.

  • What’s important to you?

    Connection to nature, to feel I belong here, that I’m part of something bigger. Using nature as an important connection strengthens me. It’s calming, comforting, takes me out of myself. 


    Seeing movement, process, seasons, decay and regrowth, patterns. Colors are important. I love the depth and beauty of eco dyeing. It’s surprising, a gift from nature, I experience it as a gift to myself. 


    This is part of my journey, when I began to see the beauty in things, to feel that I deserved this beauty, I now afford myself more beautiful things. I’d rather make one thing with beautiful material than 10 things that I don’t enjoy. 

  • What brings you joy?

    When I tried to sell things, it didn’t make me happy, I wasn’t being true to myself. You can never be compensated for the time and energy put into stitched things. 


    Whether stitching, knitting, crochet, I wanted to create with no expectations of results, doing it just for myself, that’s when I found the joy of stitching again. Eco dyeing became a self-strengthening process. Trying another color, tiny acts of creativity, the joy and beauty of the colors. 


    Creativity became a powerful force in my life. I’m very much in control, it’s all up to me. 

  • What does your inner kiddo look like?

    She’s happy, slightly theatrical, expressive, loves colors. She’s a maximalist, especially playing with colors, exploring, trying something new. 


    She likes wearing ballet clothes and things for dancing, sometimes a fairy costume, dressing up. 


    She is also exploring with her sister Esther, loves to dress up like princesses with shorts so they could fight and be assertive and strong, and able to climb trees. 


Meet Becki Lambert...

Beki Lambert @rebeka.lambert ~ “Textiles and hand-sewing are my jam. I love painting with fabric in quilt form.”


Beki’s 2022 52-week sewing practice project jumped out at me in the IG feed! I wondered how someone can really stick to it, follow through on a year-long commitment, and I had to ask! I am also drawn to her comment about her “frustrating adventure” with a recent finish “Summer Lovin” which was all hand-pieced (her first ever). She mentioned “it’s ok to be uncomfortably challenged. No experience is ever wasted.” She hooked me! 



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 Q&A:

  • What do you do for work?

    I work in IT (information technology). The job doesn’t come easy to me, I fell into it and stayed. My job affords me to live the life I want to live. My family is my #1 priority.  


    About 7-8 years ago I began to exclusively focus on art quilts. I like functional, representational, abstract. I find I have worked in series when I get stuck on something, like the Naked Lady series. I like the portability of hand sewing and hand quilting. It fits in the cracks of my life. I can be close to my family if I’m hand sewing. The quilt top is the creative part, quilting is the meditative part. I like the tangible, tactile, touch, and feel. 

  • How do you connect mental health & creativity?

    It’s no secret I’ve been in therapy for years. It helps me be in touch with my well-being, being open about my struggles, I hope my kids are more willing to come to me to talk if they need to. 


    Therapy is a tool, I learn skills. My creativity is a gauge for what’s going on in my life and whether it’s time to check in with myself. I journal (free thought). 


    I gained insight when I would feel anxiety in my body, and learned it was reminding me. I read The Body Keeps the Score. I made a connection back to earlier in life when I didn’t like going home after school. The act of expressing the feelings helped me move through it. Now I love coming home to a place I love, around my favorite people, now I can relax. 

  • Do you deal with an inner critic, what’s it like?

     It’s pretty mean, I tend to stay quiet, I stay small. I struggled with perfectionism and had to break out of it. That’s the beauty of improv. I could get away from control of myself, to feel it and to not fit in a box to hide the chaos behind the scenes. 


    Creativity gets me out of my head, I’m in my head too much, like with my job. 

  • You had a recent finish, "Summer Lovin'..."

    I had put it [the top] away for years (the summer before the pandemic) before picking it up and hand quilting it recently. I was uncomfortable with exposure at first. It's the bright one with my cat Poppy sitting on top of it. It's gotten a lot of attention.

  • Tell us about your inner kiddo?

    She’s still pretty sad and scared. Making things was my escape. I remember the Highlights magazine, reading the things to make section. 


    Her favorite outfit was a fuzzy terry cloth shirt, running shorts, pastels and white trim. I remember my Nike tennis shoes that were pink and grey, I loved them. I had pigtails and long hair. 


    It was the early 80s, pink satin, baseball jacket with roller skates on the back, I loved roller skating! I ate dill pickles. 


    I was very big into make believe, making floor plans in the yard with pine needles, sticks, and rocks. 


    If she were to give you a gift what would it be?  A collage, cut and pasted with yarn and paper. 

  • What does it mean to play?

    Freedom, to let my imagination go, no rules, exploring the unknown. I play with fabric, quilts with bright bold colors, whatever pleases me, it’s all about what’s happy and lifts my spirits. 

  • How did you commit to your 52-week challenge?

    It was a personal challenge for myself, I kept them small. It was a weekly creative exercise, not more than a few hours, a way to experiment, try new things, if it doesn’t work out oh well. I found myself looking forward to it and it ended up more like a journal, I could look at it and remember what was going on at that time. 


    I'm doing it again this year with knits. I keep it doable, small, simple. A little time commitment, it can be portable, it’s the act of doing something.

  • Do you have an unfinished piece?

    Yes, the quilt “Shattered” was from near the end of last year when my father passed away. I worked on it sitting in the ICU with my father. I hand sewed / pieced all the little pieces together, reflecting on what life is. I haven’t quilted it yet. The quilting is the processing, the unlayering. The quilting will be filling in the cracks. 

  • Words of encouragement for others?

    Just keep going, trying, take an action, see where it goes, be curious, play and not be defined by the rules. 

  • A few you follow on IG?

    A few...   I follow @heidi.parkes, @amandanadigart, and participate in @ZakFosterquilts Quilty Nook


Meet Kathy Barlow

Kathy Barlow @pause_gatherings_for_women "Virtual & In-Person Creativity Dates About Women. About You. About Time." 


I had the honor of speaking with Kathy about her life's passion for inspiring women through creative self care. She really does give you permission to pause!

 Q&A:

  • How do you define creativity for yourself?

    I’m a multi-passionate creative. I see creativity as my superpower. It’s a permission to pause, it’s a sacred space to enter. We need creative self-care dates. I am authentically myself when creating. 

  • What gives you Joy?

    Creating a sacred space for women to enter. It lights me up when I see other women light up with their passion. That’s where they naturally find confidence and courage. I love being their cheerleader! I want to continue to offer sacred space for women to pursue their passions! 

  • How do you connect creativity and mental health?

    I feel heaviness at times, binding me up.  I use different methods for dealing with things for my mental state. This year I am purposefully processing with a word prompt – “Joy” is my word of the year. I am asking myself “how can I internally be Joy?” 

  • You mentioned a manifesto...?

    Yes, Permission Granted. 


    Permission Granted to...  make yourself a priority. set aside time just for you. push the pause button. take a break. unplug. relax. rest. create your own sacred space. surround yourself with things you love. hang the do-not-disturb sign. shut the door. leave your troubles behind. light a candle. be still. close your eyes. quiet your mind. breathe deeply. connect with yourself. sip a cup of hot tea. play. have fun. be creative. make something. feed your soul. fill yourself up. release overwhelm. wave goodbye to stress. recharge. experience calm. replenish your energy. feel at ease. say hello to joy. lather yourself in happineness. rinse and repeat.

  • Words of encouragement for other creatives?

    Make time for yourself to be creative, that helps your self-care.  It's ok to pause to rethink things. Play with your passion, play first and see where it takes you. Nurture your passion and share it with the world. Spend your days doing what brings you joy. 

  • What does your inner kiddo look like?

    She’s wearing a funny straw hat, making mud pies. Having fun. 

  • A take-away by Cora...

    You don’t need confidence if you have passion, you just need a little bit of courage.  Find your cheerleaders.  


Meet 'Getz'

Getz on IG @xxgetz is an artist that is also in Mainframe studio in Des Moines, IA and works in an architectural profession as well. He shares a studio space with his sister Toree (clothing designer) & mother Terrinye (painter), appropriately named G3.


Getz, thank you for sharing your perspective and other artists that I can learn more about! It was a pleasure speaking with you!

Q&A:

  • What lead you to getting a studio space?

    It's a creative outlet for myself and my family. Previously I always practiced creativity in the background as a personal endeavor.  My sister suggested applying for a studio as a family to do it together.  We named it G3.  


    Being in a studio provides an opportunity to be in a space to spark ideas and transfer those ideas. 

  • What does creativity mean to you?

    I create to find peace, comfort in a creative state. It's the best way to organize my thoughts. I paint, make sculpture, and do digital art as well. 


    My goal is to show a process. It's something everybody can experience together. I focus on cadence. I want people to feel comfortable talking about art. Participating and collaborating, forming connections, it's all part of the process. 

  • How do you connect creativity and mental health?

    I find peace in creating art.  


    When you mention mental health I think of Yayoi Kusama. She does art in response to her mental health. She has hallucinations, OCD, depression...

    [Read more here about Yayoi].


    She is free, uninhibited, obsessed even. She is relatable to many ages. She's genuine. You can see her motives right away. I like that. I'm going to stay genuine to myself. Each person has their own feelings, process, and background.

  • Do you look up to any other artists?

    I find many people interesting. 


    Marcel Duchamp - championed the concept of "readymades," that ordinary objects can be art by choice of the artist.  [Read more here about Marcel]


    Richard Serra - He's critical of architects. He says that art is purposefully useless (if not made for utility). He focuses on the manipulation of space, art is about the context.  He’s technically impressive. If I could talk to him? I'd ask him "how do you make those? " 

    [Read more here about Richard]

  • What does your inner kiddo look like?

    I played piano as a kid. He's 6 years old, being exploratory.

  • More about Yayoi Kusama

    Here's an audio link to an article about how art saved her life. Click Here.

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